Given the nature of the circles Sassoon moved in, it is little surprise that a wealth of well-known socialites and literary figures make appearances in Benediction. Other events become difficult to place against particular years, though hints about ‘the Hitler Youth’ serve as chronological markers.īut reflecting upon the film what becomes most interesting is the level to which it, understandably, assumes audience knowledge of particular people, events, and poetry. The timeline of events within the film is often truncated for dramatic and narrative reasons, which is rarely an issue – for example the point at which Sassoon begins his affair with Novello appears to be moved from the early 1920s to around the end of the war itself. Jeremy Irvine (left) as Ivor Novello and Jack Lowden as Siegfried Sassoon in Benediction. Similarly, the biography of Sassoon by John Stuart Roberts describes Ivor Novello as a man who “collected lovers as he collected lilacs”, and a line to this effect is uttered in the film. The conversation between Rivers and Sassoon about their sexualities, with the strong implication that Rivers himself was also gay, is something that Sassoon biographer Jean Moorcroft Wilson has written about.
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That said, Davies is clearly keen to leave hints of where he has drawn his sources from. Similarly, the wound Sassoon sustains towards the end of the war is shown as being to his arm and shoulder, rather than his head. In the journalist Robbie Ross is shown as being a key figure in having Sassoon sent for treatment in the wake of Declaration – instead of being court-martialled – which downplays the role of his friend and fellow poet Robert Graves. Some aspects of Sassoon’s war service and his stay at Craiglockhart diverge slightly from reality.
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So it is refreshing that Benediction delivers the full text of Sassoon’s protest statement, Finished with the War: A Soldier’s Declaration, although it feels a little like a missed opportunity to explore what it actually means. Sassoon’s protest against the war and the nature of his poetry are often translated into an entirely anti-war stance, which is neither an accurate nor nuanced understanding of what he was trying to say. It’s an event Sassoon himself recounted, and is partially reproduced in Benediction, but didn’t actually happen the medal was later found in an attic. Most obvious is the story that Sassoon, in a fit of frustration, cast his Military Cross into the River Mersey.
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The tension between these two ideas is often complicated by widely accepted myths, some of which appear in this film. Raleigh plans to visit Ravart in Montreal next month and both intend on getting matching tattoos.As with many of the war poets, Sassoon exists as a duality within popular memory: both as the man he was, and the man as understood by his poetry. Since then, the two sisters have forged a friendship over video chats and discovered a number of things they have in common. I couldn't sleep like all night after the email," she said.
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Ravart had even forgotten about the DNA test she took a couple of years back, which found no close matches. "The first sentence was like, 'Hi, apparently we are like biological sisters,' and I was like, 'Oh, wait a minute,'" Ravart said. "All the thoughts are going through my head at once and I kind of panicked, but I ended up sending her a message that night, and surprisingly enough, like 20 minutes later, she responded to me," Raleigh said, recalling the moments after she got her test results back.īoth from China, the two adopted sisters would find homes in different cities, Raleigh in Chicago and Ravart in Montreal. Ever since she was little, Hannah Raleigh wanted an older sibling.Īnd deep down, Raleigh says she felt like she always had one.īut it wasn't until she did a DNA test that she learned those suspicions rang true.ĭuring an appearance on ABC's Good Morning America on Wednesday, Raleigh met her long-lost sister, Limia Ravart, for the first time in person, after an ancestry test confirmed the two are in fact related.